Nicolaus Schafhausen, Stefanie Rosenthal, Clara Kim and Katharine Stout on the good and the bad of the German quinquennial
“…For example, at the music school, the Athens Conservatoire, there was a clear thread running through about experimental sound and music.”
“…All things considered, with respect to the Athens exhibition, there was a great deal of outstanding works. I loved Sami artist Joar Nango’s performance at the Athens Conservatoire and Otobong Nkanga’s soap works, only to name two.”
Πηγή: Greece is the word: what curators made of Documenta 14 in Athens
